Tailhooks down, a pair of SB2C Helldivers bank above the carrier
USS Hornet (CV-12) as they circle in for
a landing. (Charles E. Kerlee/U.S. Navy)
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In his book Pictures With a Purpose, photographer Charles E. Kerlee explains, image by image, how he achieved his goals. In two painstakingly detailed pages, he describes a single photo’s intent, composition, camera placement, lighting, exposure (“over-exposure would have caused loss of the delicate middle tones…”), development, and printing.
His subject: a man’s shoe and glove.
When Kerlee’s book was published in 1939, he was one of the top advertising photographers in the U.S., with a studio in Los Angeles and a long list of clients. And when master photographer Edward Steichen, 62, began assembling his Naval Aviation Photographic Unit in early 1942, Kerlee, then 34, was among the first he sought out. Steichen’s selection of photographers “caused some eyebrows to be raised,” he later said, but he believed assembling photographers from a variety of disciplines would yield the best results.
All of the “Original Six” he recruited entered the U.S. Navy as officers; their job officially was to provide images to aid in pilot recruiting. But Steichen’s intent was to capture the navy at war. Kerlee spent most of his time aboard the carrier USS Yorktown (CV-10), photographing men at work and leisure. Later in the war he also served on the carrier USS Hornet (CV-12) and on Pacific islands in the aftermath of battle. Kerlee’s results validate Steichen’s goal of building a team of photographers who were experts “not only in using a lens but in photographing with their hearts and minds.” Charles Kerlee did all of that. ✯
This article was published in the December 2019 issue of World War II.