Gambling in the Old West

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As towns sprouted in the 19th-century American West — outside Army forts, at river crossings along wagon trails, in mining districts and at railheads — some of the first structures built were recreational facilities. Recreation for the almost totally male population inevitably meant the triple-W vices of the frontier: whiskey-drinking, whoring and wagering.

Saloons, brothels and gambling halls would appear almost overnight. In the early camps, the structure might be only a lantern-lit, dirt-floored tent, the bar simply a board stretched between two whiskey barrels, the prostitution facility just a cot in a wagon bed for the use of a single female strumpet, and the gambling outfit only a rickety table, a few chairs and a greasy, dog-eared deck of cards. As the towns grew and prospered, these primitive facilities were replaced by one-story wooden buildings with false fronts to make them appear even larger. And if the community developed into a city, saloons were housed in imposing brick buildings with ornate bars, huge back-bar mirrors and brilliant chandeliers. Some brothels became elegantly furnished parlor houses with attractive ‘boarders’ managed by madams whose names were famous throughout the West. The best-known sporting men of the West presided over and patronized gambling houses that were often the most impressive and elaborately accoutered structures of the cities.

The popularity of gambling in the West can be attributed mostly to the fact that all who left the relative safety and comfort of the East to seek fame and fortune on the frontier were, in a sense, natural-born gamblers. In the early West, gambling was considered a profession, as legitimate a calling as the clergy, the law or medicine.

During the 25-year period prior to the Civil War, gambling flourished in the towns along the Mississippi from New Orleans to St. Louis and was a staple attraction on virtually every riverboat. This golden age of gambling produced some of the most memorable practitioners of the art — legendary professionals like Charles Cora, J.J. Bryant, Jimmy Fitzgerald, John Powell, Charles Starr and Napoleon Bonaparte ‘Poley’ White.

One of the popular gambling games of the 19th century was a bluffing game that evolved into American poker. Another, vingt-et-un (twenty-one), introduced into the United States through the predominately French community of New Orleans, we now call blackjack. Still another was Mexican monte. But undoubtedly the most popular gambling game in the West was faro, which drew its name from the Egyptian pharaohs depicted on the back of the cards.

The foremost faro player on the Mississippi was Italian immigrant Charles Cora. After winning $85,000 and breaking several faro banks in New Orleans, Vicksburg and Natchez during one six-month period, he was banned from many resorts. J.J. Bryant, perhaps the best-known professional gambler on the lower Mississippi, lost thousands to Cora.

Jimmy Fitzgerald and Charles Starr were early standard-setters of the sartorial splendor that became a hallmark of the 600 to 800 professional gamblers plying their trade on the river. Their expensive black suits and boots were offset by snow-white ruffled shirts and dazzling brocaded vests. Ostentatious jewelry advertised the gambler’s prosperity. Huge rings adorned his fingers. A stickpin with a large stone, called a ‘headlight,’ sparkled on his chest. In a pocket of his ‘flowerbed’ vest was an enormous pocket watch adorned with precious jewels and attached to a heavy golden chain that draped across the gambler’s chest.

The discovery of gold in California and the resulting rush of 1849 attracted many of the paddle-wheel and Mississippi River town gamblers to San Francisco, the new El Dorado of the West. By the early 1850s Portsmouth Square, the center of the City by the Bay, was ringed by large gambling houses where the doors never closed and enormous sums changed hands over the tables.

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Tags: Social History, The Wild West, Wild West

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