Gambling in the Old West

It was no accident that many of the top-flight gunfighters of the Western frontier were members of the sporting fraternity. Tough, steel-nerved young men who had acquired gunfighting reputations either in personal difficulties or as boomtown lawmen found themselves in demand as dealers in gambling resorts. There were two reasons for this. First, gunfighters of renown attracted patronage, as miners and cowboys were quick to seize the opportunity to match wits and gambling skills with frontier celebrities across a green felt table. Second, since the open display of large piles of cash was a constant attraction for criminals of all sorts, ranging from sneak thieves to holdup men, the mere presence at the tables of famous personalities known to be adept at the art of the draw and shoot discouraged any attempt to steal.

The 1870s also saw more ore strikes and additional mining districts. New boomtowns quickly emerged, most notably Deadwood in Dakota Territory, Leadville in Colorado, and Tombstone in southern Arizona Territory. All three became gambling meccas, and their names have been associated with some of the most famous Westerners of the 19th century. Wild Bill Hickok was shot to death as he sat in a poker game in a Deadwood saloon, and the hand he held — aces and eights, the ‘Dead Man’s Hand’ — became an enduring legend of the West.

Leadville, 10,000 feet high in the mountains, blossomed almost overnight into the largest city in Colorado, and at one point its boosters attempted to wrest the state capital away from Denver. At its peak, gambling opportunities were afforded in more than 150 resorts ranging from small saloons to elaborate theaters and concert halls. Some of the better known were Tom Kemp’s Dance and Gambling Hall, which in 1879 featured vaudeville song-and-dance star Eddie Foy; the Texas House, where proprietors Bailey Youngston and ‘Con’ Featherly provided a dozen faro tables around the clock; and ‘Pop’ Wyman’s Great Saloon, in which a large sign over the bar read: ‘Don’t Shoot the Pianist — He’s Doing His Darndest.’

Most of the leading Western gamblers, including Ben Thompson, Bat Masterson, Luke Short and Doc Holliday, spent a good deal of time — and money — in Leadville. There is a story that after dropping more than $3,000 at faro one night there, the volatile Thompson in a fury turned over the table, jerked out his six-shooter and shot out all the lights, sending panic-stricken patrons scurrying for the exits. Holliday, suffering one of those streaks of bad luck and near poverty that plagued all gambling men, shot another sporting man named Billy Allen in Leadville in a dispute over a mere $5 debt (see ‘Spitting Lead in Leadville: Holliday’s Last Stand,’ in the December 2003 Wild West).

Tombstone blossomed into a major city in the Arizona desert almost overnight and attracted many prominent professional gamblers, including Masterson, Holliday, Earp and Short. The leading drinking emporium in the boomtown was the Oriental Saloon. Its owner, Mike Joyce, leased the gambling concession to a triumvirate of Western sporting men — Dick Clark, a veteran of the Colorado mining camps; Lou Rickabaugh, a San Francisco sporting man; and Bill Harris, former owner of the famous Long Branch Saloon in Dodge City. When gambling became so popular in the Oriental that it adversely affected business at the other resorts in town, a group of competitors hired Johnny Tyler, a gambler of some gunfighting notoriety, to lead a gang of toughs into the Oriental every night, start a ruckus and intimidate patrons. The Oriental owners retaliated by offering Wyatt Earp, who had acquired a gunfighting reputation of his own, a quarter interest in the business if he would handle Tyler and his cohorts. To help him in this task, Earp employed Doc Holliday and sent for Luke Short and Bat Masterson to come to Tombstone and deal in the Oriental. This squad of gunfighting luminaries was too much for Tyler, who soon left town, and the Oriental returned to its air of decorum and its profitability.